The other tab is a half-step too high, and had a few chord changes out of place or lacking. You could play this with a Capo on 2: B = A shape F# = E shape E = D shape Abm = F#m shape B F# That means no where I come from. I am cold, out waiting for the day to come. B B F# E I chew my lips, oh and I scratch my nose, feels so good to be a rose. B Oh don't, don't you lift me up like I'm that shy, no no no no no, F# just give it up – E F# B There are bats all dissolving in a row E F# Abm into the wishy-washy dark that cannot let go. B I cannot let go, so I thank the lord, and I thank his sword! F# Abm 'tho it be mincing up the morning, slightly bored. B E B E O, morning without warning like a hole, and I watch you go. B F# E There are some mornings when the sky looks like a road. B F# E There are some dragons who were built to have and hold. B F# E And some machines are dropped from great heights lovingly. B E B F# E and some bellies ache with many bumblebees. (and they sting so terribly). B I do as I please. Now I'm on my knees. F# Abm Your skin is something that I stir into my tea. E Abm And I am watching you and you are starry, starry, starry B F# E and I'm tumbling down, and I check a frown. B It's why I love this town. Well, just look around: Abm to see me serenaded hourly! celebrated sourly! E F# B dedicated dourly; waltzing with the open sea – F# E F# Abm clam, crab, cockle, cowrie : will you just look at me? B D B F# E x3 (3rd time) F# B Oh… Hmm